Directed, filmed and edited by HUW WAHL
Run time 82 minutes
DESCRIPTION OF THE BOOK
'Republic Of Dogs/Republic Of Birds is the first book-length prose text by poet and translator
Stephen Watts. The text was written on a typewriter in the late 1980s, then mislaid and lost.
Found again in 2012 it was typed onto a laptop with minimal editing.
The narrative moves between London's Isle of Dogs and Scotland's Western Isles, where Watts lived and worked as a shepherd. It is both a topographical journey through two landscapes and a highly personal meditation on the history and memory of these locations. Watts is interested in the changing landscape of London's East End: the destruction of working-class culture and its collective memory and the pace of urban development and regeneration. The writing is itself a form of activism, memorialising a lost culture through its physical traces and the stories and voices of its inhabitants.
Republic Of Dogs/Republic Of Birds is a vital and significant text by one of the most astute and sensitive
writers of the relationship between landscape and memory. Stephen Watts's distinct and illuminating poetic
sensibility combines a fierce honesty, rooted in reality, with a beautiful and imaginative lyricism.'
Text taken from publishers website - Test Centre
PRAISE FOR REPUBLIC OF DOGS/REPUBLIC OF BIRDS
'I am moved and fascinated by Stephen Watts's poetry in ways I find hard
to explain and extraordinarily powerful to experience. He is among the most fine and subtle writers I know on the relations of
landscape and mind.' Robert MacFarlane
'Such free play of voice against finely calibrated shifts of light and atmosphere is intoxicating. Stephen Watts shapes a prose of rare integrity and grace. There is no estranged otherness, no prussic scorn even for the despoilers and exploiters of place. The poet's generosity catches us off-balance, as we sift the local tideline and the deep time-line of the islands, acknowledging hermits and passerines.' Iain Sinclair
'For four decades, poet, translator and activist Stephen Watts has been the quietly urgent, profoundly committed voice of the underseen, the marginalised and the overlooked. This is fiercely engaged internationalist writing invaluable both to our understanding of the Crisis, and to our ability to resist the abuses of the age. His time is now, crafting an enduring present, tense with solidarity, resonance and grace.' Gareth Evans